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He follows her, full of remorse and contrition. Her glance, even more than her words, has covered him with shame, and cured him of his want of generosity. "Are you in pain?" she says, in a low, fearful tone. "Do you suffer much?" "Where does he write from?" asks Violet..

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He tries to persuade himself that there is nothing strange or uncommon in calling upon Wednesday to inquire with anxious solicitude about the health of a young woman whom he had seen happy and robust on Tuesday. But the trial is not successful, and he is almost on the point of flinging up the argument and going home again, when his eye lights upon a fern small but rare, and very beautiful, that growing on a high rock far above him, overhangs the stream. "Thomas has plainly taken to hieroglyphics,—if it be Thomas," he says. "I can fancy his pressing his young woman's right hand, but her 'top corner' baffles me. If I were Thomas, I shouldn't hanker after a girl with a 'top corner;' but there is no accounting for tastes. It really is curious, though, isn't it?" As he speaks he looks at Mona; but Mona, though seemingly returning his gaze, is for the first time in her life absolutely unmindful of his presence. "One must not hope for perfect happiness on this earth," says Mona, gravely; "but at least I know," with a soft and trusting glance at him, "I shall be happier than most people." "Then what a mercy it is I didn't do it!" says Mona, naively. "I was very near it, do you know? I had actually said 'Yes,' because I could not make up my mind to lose the deed, when he let me off the bargain. But, if he had persisted, I tell you honestly I am quite sure I should have let him kiss me.".